Experience is a mobile whole, without waste and without a centre. And poetry is created as an imitation of experience.
It does not begin, it does not adjust and it does not end, but "rotates like the firmament.[1]

The time of the performance is meant to be decentralised, transitional, shifted. The body irrupts as a residue, a trace of its own history. It is vulnerably present in a way that defies the law of position because, like every small particle within the Absolute, it contains that which is both beside and beyond itself.
(Lucia Bricco)

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[1] Ludovica Koch, Introduction to J. W. Goethe's West-Eastern Divan published in 1819